Fangirl by Rainbow Rowell

I remembered reading on goodreads that a few of my friends read this book and enjoyed it. I tucked it in the back of my mind and immediately reached for it when I perused by my neighborhood's library.

Fangirl definitely brought me back to that time where even though I didn't write fanfic per say, I definitely dabbled in the same sort of "using the universe in which the author wrote the books" in the form of online forum role playing.

Though I didn't have the same trouble as Cath did adjusting to her new surroundings, role play "fanfic" was definitely a security blanket for me. It was a place where I went with my friends that I also met by role playing (and now are all, and will forever be my deeply close friends) and we were able to write stories with characters that we created within the confines of the universe of Harry Potter.

It opens up to a character named Cath, who is starting college with her twin sister, Wren. It's revealed that Wren wants to room with other people, which doesn't settle with Cath, who relies on her sister for most things. Cath has anxiety and depression issues, and does not do well with change (and really, who doesn't?). She has a roommate who is older and intimidates Cath and in the beginning, it seems like she is utterly alone. She hates it.

During her year at school, she juggles her writing, classes, her relationship with her sister and her father, along with the new territory of boys. Cath has a boyfriend at the start of the school year, but Wren dutifully tells her that he's more like a piece of furniture than an actual boyfriend and soon he fades into the background.

Throughout the year, Cath is peeled like an onion and her worldview is challenged, ultimately with good results. When I was reading the book, and immediately after, I thoroughly enjoyed it. Now, after getting some space from the book, I realized that though there are many, many good parts of the book, I love the character of Cath, I was rooting for Cath and Reagan's friendship, Cath and her sister's relationship and even Cath and Levi's relationship, the actual story doesn't really have a satisfactory conclusion, at least for me. It sort of drops off after Cath tells Nick to go kick rocks (after he basically steals her part of their story), and Cath goes to sit down and write her final story for her creative writing class. You're meant to draw conclusions and ponder how she finishes her fanfiction, and how she finishes her final paper, but I was disappointed that she got this great grade after hammering it out in 10 hours.

I don't know about you, but my schooling never worked out that way. I was never able to turn out a paper in a day and submit it without even proof reading it. My teachers knew and called me out on it every time.

I was also incredibly disinterested in the Simon Snow fan fiction. I found myself just skipping over all the interludes. I will not be reading the Simon Snow book she wrote as a complementary book to Fangirl.

So overall, it was a good read, if you don't read too closely, and enjoy the ride. Otherwise, the plot just falls through and you are left with more questions than answers... but then again, isn't that what growing up is all about?

Dreams of Gods and Monsters by Laini Taylor

I read the first book in the series for a book club that only met once. To be fair, it was online and our schedules quickly didn't align to continue the tradition. Whereas my friend Ashley loved the first book (and even drew inspiration from the series to develop a character of her own), I remembered having negative feelings about the book... but since I read the second and then the third book in the series, clearly I forgotten how I felt and my negative feelings were flimsy at best.

I read the second of the series later on. I think I was looking for a book to read, and since Daughter of Smoke and Bone didn't offend me greatly, I decided to give the second book in the series a try. At that time, there was one more book that was going to be released, and I promptly forgot about the books until I spotted it in the library a few weeks ago.

The series follows the adventure of a young woman named Karou, who has a mysterious past life in a parallel universe ravaged by war. There are several characters that Taylor utilizes in the 3rd book, including her best friend Zuzana, her boyfriend Mik, her Romeo, Akiva, Akiva's sister, Liraz and Karou's "shadow," Ziri.

What Taylor does best is utilize this world she created. It's a very simple set up: "two houses, both alike in dignity" so on and so forth. It's a love story, it's full of action, and she's a great writer.

It's unfortunate, however, that I just couldn't stand both Karou and Akiva. Well, I take that back, it wasn't that I couldn't stand them, it was more like, they were boring to me. Karou and Akiva mirrors every single teenager in modern times: Karou has blue hair, is an art student in Prague, out of all places, and is "edgy" with her job of collecting teeth. Akiva is a mysterious, dangerous, born out of wedlock (that's a major plot point. I'm not mentioning that to be catty), brooding and a warrior. And it's not like they grow out of these rough sketches of character. No, they stay as they are, with rising and falling tides of lusting after each other but not able to speak to each other... cause you know, their races are at war with each other.

It took me a bit to get through it. I just didn't care whether Karou and Akiva lived or not, but I was glad I stuck it out, because 3/4th of the way through the book, I suddenly cared a lot about what was going to happen. I think the reason that I really cared about what was going to happen was not because of Karou and Akiva (of course they were going to live and spend the rest of their lives together) but because of the developing relationship between Ziri (in Thiago's body) and Liraz and the question of "will they, won't they?" anticipation. I didn't know what was going to happen, so I was on the edge when I read, hoping that Ziri's sacrifice wasn't in the name of vapid Karou and Akiva.

I do give Taylor credit though.She stopped (at this point) with a trilogy, and is currently working on other things. She even left the story in a place where she can easily pick it up again if she wanted too. I would personally like it if she centered it on Ziri and Liraz, the most unlikely couple ever, and just kind of carted Karou and Akiva out every so often to say something useful.

Overall, it's a decent series. Taylor's writing is great, and I can't wait to see what she writes next.

Nice Girls Don't Date Dead Men by Molly Harper

Nice Girls Don't Date Dead Men by Molly Harper is the second installment of the book series. I'm relieved that I was able to see past the stupid book titles and give the series a try, because I have been rage quitting a lot of books lately. The combination of a voice actor and book can either really make or break a book. At least when you read, you have the ability to skim past certain lengthy paragraphs or just mindlessly read past certain parts of the book. With an audiobook, you are trapped! You have to listen to every agonizing word!

With this series, I love the combination of the southern twang of the voice actor and the fluffiness of the series. I really liked the first book of the series, Nice Girls Don't Have Fangs, and was looking to get more into it.

So the verdict? It was good, but it wasn't quite as good as the first book. There is some of the outrageous humor, sexiness and circumstances that made the first book so great,  but the "mystery" of the book is super silly and easy to figure out, and some of the Mama Ginger mother-in-law interactions were so over the top that, if one could read it without rolling their eyes, it was hardly believable.

Yeah, yeah... believable for a vampire book series. I wish there was more to the story than the protagonist's best friend's mother dealing with control issues by hiring a witch to stop the wedding and instead of marrying the woman that loves him, marry the protagonist. In the first book, Misty at least wanted her property and they had a gruesome vampire fight at the climax of the book.

The author tried and failed to deliver the humor on terrible weddings. Even though Jane is called out on it quite a few times in the book, it got old after a while to repeatedly describe the awful, trashy wedding that Jolene planned with her hick family.

However, I still identify, laugh and love all the crazy family stuff that Jane has to go through. A lot of times stories deal with the importance of family, and how family will always be there for you... but it's refreshing to see the flipped coin of that, and look at the idea of, 'well, your family is nuts and takes advantage of you at every turn, manipulates you and makes you feel like crap all the time. Are you still obligated to be there for your family when you don't necessary like them and your friends do way more for you than they ever did?'

There are two more books in the series that I can't wait to read, and there are other spin off series of the Nice Girls. I like the cheeky fluffiness that comes with the title, and they are an easy listen at work.

The Cursed Child by JK Rowling

Originally, I didn't give Cursed Child that much thought. A few of my friends who live in the U.K got tickets to see the play, which I was insanely jealous about, but I figured I would hear it from them about how good it was and then move on with my life.

When it was revealed that The Cursed Child was going to be released as a book, my first thought was... 'that's odd. Isn't it a play?' Sure, we read plays all the time. It's the bulk of our English classes in high school and college. However, I don't go out and purchases plays to read for fun. I like seeing them but the phenomenon of reading plays are reserved for Shakespeare.

But, I was a bit curious to read what the contents were, especially since the play opened, and the play date of my friends to go see the it draws nearer and nearer. I received the book for my 1st wedding anniversary, so even if the book blew, it would still hold a special place in my heart.

I managed to stay away from all the think pieces and reviews of the book, and so when I read it, my initial knee jerk reaction was that... it was awesome. I took it for face value, I imagined seeing the play while I read it, I loved the characters and I thought that JK Rowling did exactly what she wanted to do, she wrote a sequel using a new medium to do it.

Even though I still maintain that JK Rowling never intended to write anything else after the books, or else she would have given Harry's kids better names, (Come on, Sirius? Hagrid? Anyone else?) I thought the characterization of Scorpio (another terrible name) and Albus were great. Both in Slytherin, both act heroic, like Slytherins are also capable of doing. I thought, the time turners, and the multiple possible universes were entertaining and gave the Potterverse a unique spin. Did I expect it to be exact? No. But the point of play wasn't to follow canon exactly. It's to entertain.

But man, fans are the worst.  I know everyone is entitled to their opinion. However, did people lose everything they were taught in high school English? Have they not matured as an adult at all? Doesn't anyone remember how to read a play?

I've read many fan critiques of how this wasn't a sequel, there wasn't any magic, Harry said things he would have never said, blah blah blah... I want to remind everyone that in this PLAY that was co-wrote with 2 of the most famous playwrights and show producers today, Harry is 40 years old. He spent a good part of his life doing more stressful things, holding down a very stressful job, being a husband and then learning how to be a father... you know, generally growing up and learning how to be a person. Many fans have stated that telling Albus that he was never his son was something Harry would never do. How do you know what you'll never do? How can you be the same person at 18 to 40? Did everyone forget how awful he was during the 5th book? Finally, it wasn't like Harry said something, and then refused to take it back. By the end of the play, they reconciled in a meaningful way that could only tackle the issue of being Harry's son.

This play about relationships and about growing up. This is about Albus' future, how he connects to it and how, being the son of one of the most famous wizards in the world, he becomes his own person. I'm not sure how that theme turned into a "a terrible sequel" but then again, super fans of all genres don't like it when their fictional universe expands in a way they didn't intended.

Fans, it's not yours. It was never yours. It's JK Rowling's world and we are just lucky to experience it.

Discworld #1, Rincewind: The Color of Magic by Terry Pratchett

Terry Pratchett's books have been in the peripheral of my "to read" books for a long time. I didn't really grow up with him, so when he passed away, many of my friends were devastated (he's a national hero in Britain), but since at that moment I hadn't read any of his stuff, I didn't feel a connection to him since I hadn't read any of his books. But the devastation (which was on the level that I presume will be my devastation when JK Rowling eventually passes away) peaked my curiosity, and when Josh and I joined the library, I thought now would be a good time to read some of his stuff.

Currently I have not acquired book number 2 of the series, (though I've read you don't have to read them in order, however, I'm not sure if my OCD can handle that), which is the only downside of the public library. Lots of holds and a lot of waiting.

Nevertheless, I am really excited to read through the rest of the series. Before I read the book, some of the reviews praised the creation and the utilization of Discworld and how innovative Pratchett was with hatching out and exploring Discworld. As someone who enjoys world building, fantasy and science fiction, it's very easy to find patterns in how authors create these worlds based off of trends in the market place. Dystopian "the one" novels (Hunger Games, Divergent, etc.), suffering vampires (Anne Rice, Twilight, Vampire Academy, etc.), so on and so forth. Discworld does not follow trends and there seems to be nothing else like it, even now, even years after this was written.

I was under the grave assumption that Discworld was a YA novel, so therefore, I had to work harder to understand what the heck was going on in the first 20 pages than I had all of Rick Riordan's YA book series... and Hunger Games combined.

However, once I got the hang of Pratchett's style and wit, which is inherently British (and therefore, made bit a bit homesick for Britain), I thought it was creative and funny. The Color of Magic follows two characters, a failed wizard and the first tourist to ever come to Ankh-Morpork, Twoflower and Rincewind, the wizard who failed out of magic school and only knows 1 magic spell (that will essentially end the world if he ever utters it). The bumbling pair, one plagued by ineptitude and the other by FOMO, get into all kinds of shenanigans where they almost died, but also, see a lot of Discworld that either of them never seen before (Rincewind does not care to see it, but Twoflower is elated too).

It's colorful, inventive and Pratchett does not waste a word. Those who've read the other books in the series state that there are much better books, but this one is good. I was entertained and I can't wait to read the others.

Which is Better? The Maze Runner

Finally! This post series is back! The movie was on HBOGO for a while, but then was taken off, and now it was put back again! It was a double feature of this movie and Scorch Trials (which will be discussed in another post), and I was very much entertained by The Maze Runner.

I was very pleased with the adaptation of the novel. The Maze Runner was a straightforward YA dystopian novel where the end of the world happened, but it's a mystery through the eyes of a young protagonist. Usually YA have a female protagonist (the one) but this time it's a guy.

Who has the personality of a foot, but we'll continue on.

The characters are expertly cast with Thomas as the blandly handsome one who the audience is supposed to identify with and Mr. GOT and Love Actually as Newt. He has definitely 12 year old face but since they were looking for young actors, he suited the role. It took me a moment to recognize the actor for Alby (Sens8), but he did a really good job of playing "younger."

I thought the maze, the glade and and the Grievers were really well imagined. Dashner wrote vague enough so that the reader could imagine it in their own way, and the movie also rendered something that's not offensive. The maze is imposing and confusing with lots of foliage and dead ends, though I wish they kept in the parts where Thomas outruns the Griever and climbs up the vines, and then the Griever learns and follows him the second time.

Much of the book was condensed in the movie, but the major plot points were hit. It was even a bit suspenseful because even the movie altered some of the action scenes in the book to just major ones.  

I wonder if The Maze Runner would have been better as a TV show. I understand that it was a movie, but a lot of the personal relationships and the strengthening of these friendships fell by the side, so when that pivotal moment when Chuck jumps in front of Thomas and sacrifices his life for Tom, you don't really feel the awfulness that you do in the book. It would have been more emotionally wrecking to build up that connection to Alby, and him being ripped from the reader's hands two/thirds of the way through the book.

I really liked the way they characterized Gally. Someone who wants order and believes in how things have always been done, but isn't necessarily a bad person. 

Before I saw the movie, I couldn't imagine why, or how they would change the book for the movie, since it was pretty action packed and clearly visualized. Sure, there were some things that were changed and sped up, but overall, pretty good. 

Not my Father's Son by Alan Cumming

I first spotted Alan Cumming in the remake of Annie. Even though the original will always have a special place in my heart, I thought Cumming's performance out shined the others performers, and I quickly found out who he was. I drudged up the movie of the remake of Cabaret, and I was transfixed.

He wrote this book because at the same time he was on "Who Do you Think you Are?" on BBC where he was on a mission to uncover the mystery of his grandfather's disappearance, his own father, after several estranged years, informed him, through his brother, that their mother had an affair, and therefore, Alan was another man's son.

I never really followed "Who Do you Think you Are?" on BBC, nor it's American equivalent, but I do have a fond memory of watching the David Tennant episode in Liverpool with Ren and her mother, and at a point where he reaches in a tomb of a relative and touches one of the skulls, they both exclaimed that he needs to watched out or else he'll get cursed! Haha!

Alan Cumming is an eloquent writer and speaker, and I feel like, in theory, I should be annoyed at this book. He talks about his acting and his traveling around the world, but he's incredibly candid and whereas there are a lot of actors that take their craft incredibly seriously, he doesn't, and knows he's incredibly blessed. I was captivated from the beginning, and though I was nervous that his Scottish accent would hinder the easy listening of the book, it actually brought the listener back to where Alan grew up on an estate in Scotland.

Alan travels back and forth in the book, talking about "Then" with the horrible abuse of his father, and "Now" his journey with BBC along with the journey of discovering whether or not Alex Cumming was, in fact, his biological father. You're unsure where it's going, but you know, that no matter what, Alan would be OK.

At least for me, I thought that since his father said that Alan wasn't his son, then it was the truth, right? However, with the twists and turns of this story, on top of his BBC episode, I didn't know what to expect by the end of it. And though it should have left me with a feeling of emptiness and sadness, the way Cumming handles it, with poise and grace, it allowed me to feel OK. That, no matter what, there is always a light at the end of the tunnel.

It's a riveting listen, and I would highly recommend the audiobook, even if you are not into it. Alan Cumming is phenomenal.