I remembered reading on goodreads that a few of my friends read this book and enjoyed it. I tucked it in the back of my mind and immediately reached for it when I perused by my neighborhood's library.
Fangirl definitely brought me back to that time where even though I didn't write fanfic per say, I definitely dabbled in the same sort of "using the universe in which the author wrote the books" in the form of online forum role playing.
Though I didn't have the same trouble as Cath did adjusting to her new surroundings, role play "fanfic" was definitely a security blanket for me. It was a place where I went with my friends that I also met by role playing (and now are all, and will forever be my deeply close friends) and we were able to write stories with characters that we created within the confines of the universe of Harry Potter.
It opens up to a character named Cath, who is starting college with her twin sister, Wren. It's revealed that Wren wants to room with other people, which doesn't settle with Cath, who relies on her sister for most things. Cath has anxiety and depression issues, and does not do well with change (and really, who doesn't?). She has a roommate who is older and intimidates Cath and in the beginning, it seems like she is utterly alone. She hates it.
During her year at school, she juggles her writing, classes, her relationship with her sister and her father, along with the new territory of boys. Cath has a boyfriend at the start of the school year, but Wren dutifully tells her that he's more like a piece of furniture than an actual boyfriend and soon he fades into the background.
Throughout the year, Cath is peeled like an onion and her worldview is challenged, ultimately with good results. When I was reading the book, and immediately after, I thoroughly enjoyed it. Now, after getting some space from the book, I realized that though there are many, many good parts of the book, I love the character of Cath, I was rooting for Cath and Reagan's friendship, Cath and her sister's relationship and even Cath and Levi's relationship, the actual story doesn't really have a satisfactory conclusion, at least for me. It sort of drops off after Cath tells Nick to go kick rocks (after he basically steals her part of their story), and Cath goes to sit down and write her final story for her creative writing class. You're meant to draw conclusions and ponder how she finishes her fanfiction, and how she finishes her final paper, but I was disappointed that she got this great grade after hammering it out in 10 hours.
I don't know about you, but my schooling never worked out that way. I was never able to turn out a paper in a day and submit it without even proof reading it. My teachers knew and called me out on it every time.
I was also incredibly disinterested in the Simon Snow fan fiction. I found myself just skipping over all the interludes. I will not be reading the Simon Snow book she wrote as a complementary book to Fangirl.
So overall, it was a good read, if you don't read too closely, and enjoy the ride. Otherwise, the plot just falls through and you are left with more questions than answers... but then again, isn't that what growing up is all about?
A review blog on novels and the movies and tv shows based off of the written word.
Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts
Thursday, September 15, 2016
Friday, April 15, 2016
The Mortal Instruments: City of Bones by Cassandra Clare
Well, with the movie and the TV show, it was bound to happen. It seems I always am behind the trends of YA, but I do end up reading some of them.
But man, Cassandra Clare is infamous. Like, Anne Rice infamous. Though, instead of declaring the Lestat series are finished and she would write exclusively Christian themed novels, Clare is rumored to be a plagiarist during her time as a fan fiction writer, as well as parts of her books to be taken from other works.
Now that I've read her books... I don't think she really hides the fact that she definitely uses folk tales, myths, legends and other public fantasy ideas in her works. I mean, come on, "All the stories are true..." is a running theme throughout the books, and she doesn't make it a secret that she uses everything from vampires, to Norse mythology, to fairy tales, even Star Wars (finding out they were siblings?! Come on.), so I don't think any authors who accuse her of stealing her work really has a leg to stand on, because even though she basically uses everything under the sun in her books, it seems it's a work completely her own.Clare creates an imaginative world where she packs everything she can, all the folklore and urban fantasy into almost an unlimited book series.
Man, again, I have to put Clare in with "people whose careers I wish I stole" because she doesn't pretend to think up all of this stuff on her own. She takes it all and her theme is, "all the stores are true." Brilliant. I would take the haters any day of the week.
I do give her mad props for her extensive world building, which led her to numerous books. How many books does she have out now with different series stemming from The Mortal Instruments? 20? She definitely put time and effort using all she can and she's made a career out of it.
The real question is... is it any good? I'm not sure if I'm qualified yet to answer that question, because I feel like I stumbled into a real Hannibal situation, where I am so saturated with the TV show and the movies, that when it came to reading the books, there was nothing new. The books were almost like the movies, and the TV show added much more to the books. The first book, the City of Bones, definitely follows the movie of finding the Mortal cup, though I'm still confused about the big round blue portal in the movie.
However, her downfall are the characters in the books. She creates a very extensive world with alternative realities and universes, and the "rules" of the universe are practically nonexistent, that she leaves barely any room to introduce any real characters. I was deeply confused when it was revealed that Valentine was also Jace's father. Just to move plot along and create conflict between Clary and Jace, Jace, who was deemed a quick thinker, smart and almost wise beyond his years, absolutely took Valentine, who was deemed a psychopath, at his word, and was immediately obedient to him.
What also didn't work for the book was the snappy dialogue between the characters. It had a very Joss Whedon flair to it, which is admirable, but... since I didn't feel a connection to any of the characters, I thought the dialogue fell flat. I also don't buy that 15 year olds talk like that at all. I taught 15 year olds... they are way dumber. Apparently her writing improves greatly, which I'm looking forward too.
Was it riveting? No. Now that I've seen the terrible movie, and I am watching the TV show on free form which leaves me feeling more confused (I still don't know what's happening and I've read the book now) everytime I watch it. Overall, it took me a bit to get through. I found it boring and I also realized that not much happened (which is an awful realization when you are holding a monster of a book). However, I'm reserving my judgement about this book series with the second book because I definitely watched the TV show and the movie before the book.
But man, Cassandra Clare is infamous. Like, Anne Rice infamous. Though, instead of declaring the Lestat series are finished and she would write exclusively Christian themed novels, Clare is rumored to be a plagiarist during her time as a fan fiction writer, as well as parts of her books to be taken from other works.
Now that I've read her books... I don't think she really hides the fact that she definitely uses folk tales, myths, legends and other public fantasy ideas in her works. I mean, come on, "All the stories are true..." is a running theme throughout the books, and she doesn't make it a secret that she uses everything from vampires, to Norse mythology, to fairy tales, even Star Wars (finding out they were siblings?! Come on.), so I don't think any authors who accuse her of stealing her work really has a leg to stand on, because even though she basically uses everything under the sun in her books, it seems it's a work completely her own.Clare creates an imaginative world where she packs everything she can, all the folklore and urban fantasy into almost an unlimited book series.
Man, again, I have to put Clare in with "people whose careers I wish I stole" because she doesn't pretend to think up all of this stuff on her own. She takes it all and her theme is, "all the stores are true." Brilliant. I would take the haters any day of the week.
I do give her mad props for her extensive world building, which led her to numerous books. How many books does she have out now with different series stemming from The Mortal Instruments? 20? She definitely put time and effort using all she can and she's made a career out of it.
The real question is... is it any good? I'm not sure if I'm qualified yet to answer that question, because I feel like I stumbled into a real Hannibal situation, where I am so saturated with the TV show and the movies, that when it came to reading the books, there was nothing new. The books were almost like the movies, and the TV show added much more to the books. The first book, the City of Bones, definitely follows the movie of finding the Mortal cup, though I'm still confused about the big round blue portal in the movie.
However, her downfall are the characters in the books. She creates a very extensive world with alternative realities and universes, and the "rules" of the universe are practically nonexistent, that she leaves barely any room to introduce any real characters. I was deeply confused when it was revealed that Valentine was also Jace's father. Just to move plot along and create conflict between Clary and Jace, Jace, who was deemed a quick thinker, smart and almost wise beyond his years, absolutely took Valentine, who was deemed a psychopath, at his word, and was immediately obedient to him.
What also didn't work for the book was the snappy dialogue between the characters. It had a very Joss Whedon flair to it, which is admirable, but... since I didn't feel a connection to any of the characters, I thought the dialogue fell flat. I also don't buy that 15 year olds talk like that at all. I taught 15 year olds... they are way dumber. Apparently her writing improves greatly, which I'm looking forward too.
Was it riveting? No. Now that I've seen the terrible movie, and I am watching the TV show on free form which leaves me feeling more confused (I still don't know what's happening and I've read the book now) everytime I watch it. Overall, it took me a bit to get through. I found it boring and I also realized that not much happened (which is an awful realization when you are holding a monster of a book). However, I'm reserving my judgement about this book series with the second book because I definitely watched the TV show and the movie before the book.
Friday, September 11, 2015
Little Altars Everywhere by Rebecca Wells
Like many other books I picked up this summer, I found this book in the classroom of the teacher who was retiring. I watched the Ya Ya Sisterhood movie, but never read the book, so I was interested. I didn't realize that Little Altars Everywhere was a prequel.
I'm glad I lucked into reading the prequel. I would like to read Ya Ya Sisterhood and watch the movie again to do another "Which is Better?" post.
So... it's a collection of short stories about this family living in the south. It's about the children of 1 friend who is apart of a group of 4 friends. In the beginning of the book, the stories just seem to be stories that all children grow up with such as loss, friendship, loyalties, etc. For example, Siddalee is jealous of her cousin and her ballet teacher who end up getting together. She is pushed out and though she is getting older, she feels like a child.
In the next chapter, Sidalee recounts her summers and how much fun they were at a Lake. It made me think of my own summers and it made me want to have children, go out with my best friends who also would have children and spend the summer in a big cabin in a small town by the lake. Though my husband and I were talking about children and our plan to have them, for the first time, it made it seem like it was fun to have kids...
However, the stories turned from typical childhood memories into something much darker. Gradually it's revealed that Vivienne and her friends are alcoholics who make very reckless decisions with their kids. Viv's marriage is in shambles and eventually Viv moves into the children's playroom to get away from her husband, Shep.
Then the stories got even darker. Viv found Jesus but used it to her advantage. She used religion to
manipulate her children.
Then the stories got even darker. The short stories are set in the deep south in the 60s, which is a backdrop for rampant classism and racism. Letty and Chase, who are an African American couple who live on the land and work for the Walkers, are familiar with the family, but never really family. Letty recounts when Viv comes home from Jesus retreat, she sends Letty home early. Letty has a feeling that something is going to happen and she goes outside to look across the property to the Walker house. Vivienne has the kids outside and they are naked. Vivi is whipping the kids unmercifully. Though they are scared of overstepping their bounds (the Walkers made it abundantly clear of what they see the Letty and Chase to be), they save the children. They call Buggy, Vivi's Mother but never even get Letty's clothes back.
The back of the book advertises that it is a mixture of sad and funny stories. The book, to me, was never really funny. I thought it was interesting and the writing is superb. I couldn't put it down. It was an easy read, and when the stories became darker, it was a like a car crash; you couldn't look away. I couldn't put it down.
Though I largely mention Siddalee, I like the rotating perspective of the people in different stories. I am always interested when characters look at each other: it's much harder for the writer, but if they pull it off, it's very rewarding. Rebecca Wells does this very well.
I'm glad I lucked into reading the prequel. I would like to read Ya Ya Sisterhood and watch the movie again to do another "Which is Better?" post.
Tuesday, August 4, 2015
Girl with a Pearl Earring by Tracy Chevalier
So, for the past month, I was preparing to move. I was diligently going through my things and getting rid of books, clothes and other materials. I was packing boxes and wondered daily how I managed to keep so much stuff around. It wasn't like I used it... and completely forgot about it when it was put away.
However, as my adventures to find my wedding dress led me to the Goodwill (I planned my wedding in a month, so there was no stone left unturned when I was finding my dress), I couldn't resist looking at the books when I couldn't find what I was looking for. There were a lot of good books at the Goodwill, and though I resisted getting many others, I couldn't resist Girl with a Pearl Earring by Tracy Chevalier. I stumbled upon the movie on HBO go, and figured that it would be a perfect fit for a review, and of course, 'which is better?' post.
I didn't like how the book started. I thought it was cumbersome, the way the author described each entrance of characters with weighty metaphors and colorful prose. It almost read like a role play thread where each role player spent their own post describing the character before writing their action and reactions. I thought the beginning of the novel was very slow and I was disinterested in all the characters...Until I wasn't.
Somehow, Chevalier snuck up on me and turned the story around, weaving connections between Griet and those she came into contact with. Griet would navigate a world that clearly was not meant for her. She fell in love with her master, Veemer, immediately when they met and as a maid working in their home, is on the brink of finally being able to peer into the art world when everything comes crashing down.
Griet has no power. She is from a destitute family, charged with supporting her family when her father is blinded by his work. Her poverty and sequential low status, follows her wherever she goes. She is on the bottom of the totem pole as a maid in the painter's house, and possibly even sinks lower when she becomes his assistant. She does double the work without a thought from her master. She is made to navigate the social world that goes on below Veemer's art studio in the attic. When the butcher's son takes an interest in her, her mother, despite years telling her to "be a good girl" and that she is too young to be married, pushes her to court the butcher's son, Pieter.
The theme of powerful individuals extends to which individuals wield the most influence over Griet's life, which include the wealthy patron, the mistresses of the household and finally, the master. It shines a light on women in poverty and how little they mean to those who seek to possess them. Griet at first, chooses the master, until it gets her in the end. When his painting is finished, he does not see her anymore and those who helped him paint, do not defend her against the mistress, his wife, consumed with jealousy.
At the end, she chooses Pieter. She runs out of the house and goes to the person that will give her safety. I have no problems with that, except the times in the book where they are kissing and fooling around in an alley way and their conversations makes it seems like she is settling. He seeks to possess her too, not taking into consideration her feelings or wants. It just so happens that he is the only viable way out for Griet, and one where she is almost beholden to no one, except her husband.
I like to think that maybe her attitude changes when she is betrayed by the entire household, including the man she loves. However, the book reads like she is telling a story, and the story is told with little side notes that are tinged with regret. It's not clear whether she regrets her treatment at the house, or if she regrets not being bolder? I think she navigates the world around her with the acute awareness of what happens to maids when they catch the attention of the master's eye and maybe she runs towards Pieter because she finally accepted her feelings towards him.
The book was a quick read, and possibly a very good book to to read in high school English. A healthy dose of high school English standards (theme, symbolism, motifs, etc.) along with a lot of potential supplemental texts, including the actual painting the book is based off of. It almost makes me wish that I taught English next year, I would definitely have read it with my 9th graders.
However, as my adventures to find my wedding dress led me to the Goodwill (I planned my wedding in a month, so there was no stone left unturned when I was finding my dress), I couldn't resist looking at the books when I couldn't find what I was looking for. There were a lot of good books at the Goodwill, and though I resisted getting many others, I couldn't resist Girl with a Pearl Earring by Tracy Chevalier. I stumbled upon the movie on HBO go, and figured that it would be a perfect fit for a review, and of course, 'which is better?' post.
I didn't like how the book started. I thought it was cumbersome, the way the author described each entrance of characters with weighty metaphors and colorful prose. It almost read like a role play thread where each role player spent their own post describing the character before writing their action and reactions. I thought the beginning of the novel was very slow and I was disinterested in all the characters...Until I wasn't.
Somehow, Chevalier snuck up on me and turned the story around, weaving connections between Griet and those she came into contact with. Griet would navigate a world that clearly was not meant for her. She fell in love with her master, Veemer, immediately when they met and as a maid working in their home, is on the brink of finally being able to peer into the art world when everything comes crashing down.
Griet has no power. She is from a destitute family, charged with supporting her family when her father is blinded by his work. Her poverty and sequential low status, follows her wherever she goes. She is on the bottom of the totem pole as a maid in the painter's house, and possibly even sinks lower when she becomes his assistant. She does double the work without a thought from her master. She is made to navigate the social world that goes on below Veemer's art studio in the attic. When the butcher's son takes an interest in her, her mother, despite years telling her to "be a good girl" and that she is too young to be married, pushes her to court the butcher's son, Pieter.
The theme of powerful individuals extends to which individuals wield the most influence over Griet's life, which include the wealthy patron, the mistresses of the household and finally, the master. It shines a light on women in poverty and how little they mean to those who seek to possess them. Griet at first, chooses the master, until it gets her in the end. When his painting is finished, he does not see her anymore and those who helped him paint, do not defend her against the mistress, his wife, consumed with jealousy.
At the end, she chooses Pieter. She runs out of the house and goes to the person that will give her safety. I have no problems with that, except the times in the book where they are kissing and fooling around in an alley way and their conversations makes it seems like she is settling. He seeks to possess her too, not taking into consideration her feelings or wants. It just so happens that he is the only viable way out for Griet, and one where she is almost beholden to no one, except her husband.
I like to think that maybe her attitude changes when she is betrayed by the entire household, including the man she loves. However, the book reads like she is telling a story, and the story is told with little side notes that are tinged with regret. It's not clear whether she regrets her treatment at the house, or if she regrets not being bolder? I think she navigates the world around her with the acute awareness of what happens to maids when they catch the attention of the master's eye and maybe she runs towards Pieter because she finally accepted her feelings towards him.
The book was a quick read, and possibly a very good book to to read in high school English. A healthy dose of high school English standards (theme, symbolism, motifs, etc.) along with a lot of potential supplemental texts, including the actual painting the book is based off of. It almost makes me wish that I taught English next year, I would definitely have read it with my 9th graders.
Tuesday, July 28, 2015
The Curious Incident of the Dog in the Night-Time by Mark Haddon
I'm on a reading stand alone fiction books kick lately. I similarly found this book like Reservation Blues and another teacher encouraged me to read it. When she summed it up, a boy with Asperger's tries to solve the case of who killed a neighbor's dog, I figured I would give it a go.
I read this book in two sittings. I'm moving next week and the more free books that I can give away/give to goodwill, the better. I also couldn't put it down. When I went to check out my opinion of the book with goodreads, well... some of the reviewers REALLY hated the book. Like, absolutely hated the book/would never ever attempt to give it to another person/never sell it/wish it on some poor smuck. Some people really liked it, but most found it so-so.
I'm firmly in the camp of so-so. It's very post-modern type of novel. It's told in the POV of Christopher, a teenage book who is on the spectrum. He lives with his father in England and goes to a Special Needs school, though he is very good at mathematics. With encouragement of his teacher, he decides to write a novel but since can't imagine unreal things, decided to write about something true that he considers a mystery. Christopher found a neighbor's dog with a gardening fork (the big ones) in him. The dog was dead. Christopher picked him up to hold him and the neighbor caught him then accuses him of killing the dog.
He goes around to investigates who killed Wellington, the dog. Through his investigation, Christopher reveals his backstory and the way he thinks. His mother is dead, even though the way that Christopher tells the story of his mother in the hospital makes the reader think there is more to the story than her dying. He reveals his method of thinking, such as his favorite colors, his least favorite colors, his enjoyment of math, his hopes of becoming an astronaut (and reasons why he can never be is heartbreaking), and his befuddlement of people.
His father tells him to stay away from the death of Wellington case, but Christopher, who connects more with dogs than with people, does not. After an epic blowout with him and his father, the story changes from a boy with autism writing a mystery to solving the mystery of his family.
The book starts you off on one adventure but then completely changes gears halfway through the book. Christopher's emotions are real, but he processed them very differently than other people. There are emotions of other individuals in the story, but that is lost through the eyes of Christopher. Maybe the subtly is supposed to be lost. I'm not sure, but the mystery of who killed the dog ends rather lamely after Christopher went through the work of talking to strangers and making maps of what could have possibly happened.
Christopher's declaration that he "can never tell a lie" is an interesting characterization point and when I was reading it, it made me uncomfortable. He states that it is nearly impossible for him to do so, because the unpredictability of what could be there instead of what is there is too much for him and he gets confused and overwhelmed on what to choose. During the book, he definitely does lie, omit facts and tells white lies. I'm sure this is an active choice by the author to say that he can never lie, but in fact, Christopher does and has no insight to what he does to other people. This leads into how he can trust others and his wariness of people.
His mother, in fact, is not dead, but left her husband. She moved to London with the husband of the neighbor whose dog was killed. Chris' father, angry and sad, tells Christopher that she died and hides the letters that she written to him for a year. When it is revealed who killed Wellington, Christopher decides he is no longer safe with his father and decides to move in with his mother in London. For a boy, with autism, who never went anywhere on his own describing his tale of going to London, was a part of the novel that I couldn't stop reading. He even takes his rat with him!
The book ended on a happy note, which made me go, 'aw.' I worked with students with autism for many years and this year also had a few students with autism in my classes. Christopher had a lot of the same characteristics: concrete thinkers and they have the ability to be overstimulated very easily. Everything needs to be scheduled and make sense and I laughed when Christopher discussed his timetable and how when they went to France, he made his parents tell him everything they were going to do that day so he could feel better.
Overall, it's a quick read. I wouldn't go out and buy the book, however, but it's a good way to pass the time.
His mother, in fact, is not dead, but left her husband. She moved to London with the husband of the neighbor whose dog was killed. Chris' father, angry and sad, tells Christopher that she died and hides the letters that she written to him for a year. When it is revealed who killed Wellington, Christopher decides he is no longer safe with his father and decides to move in with his mother in London. For a boy, with autism, who never went anywhere on his own describing his tale of going to London, was a part of the novel that I couldn't stop reading. He even takes his rat with him!
The book ended on a happy note, which made me go, 'aw.' I worked with students with autism for many years and this year also had a few students with autism in my classes. Christopher had a lot of the same characteristics: concrete thinkers and they have the ability to be overstimulated very easily. Everything needs to be scheduled and make sense and I laughed when Christopher discussed his timetable and how when they went to France, he made his parents tell him everything they were going to do that day so he could feel better.
Overall, it's a quick read. I wouldn't go out and buy the book, however, but it's a good way to pass the time.
Friday, July 24, 2015
Reservation Blues by Sherman Alexie
I discovered Sherman Alexie this year while my juniors were reading Native American literature in their English class. The kids enjoyed his memoir called Absolutely True Story of a Part Time Indian and a few of them read The Lone Ranger and Tonto Fistfight in Heaven for their final projects. Reservation Blues was another one of the books that was up for grabs at the end of the year when a social studies teacher was retiring. I'll admit, the title didn't look appealing, but I took it anyway. I'm not normally a plain fiction reader, but I knew the author and figure I would give it a shot.
Sherman Alexie... this book, the history of Native Americans, for a lack of a better word, is just sad. Heartbreaking. But the kind of sadness that doesn't make a person cry, but seeps into the bones and lingers. The kind of sadness that couples with hopelessness and stays with you forever. From the atrocities that occurred with the Native Americans, no one should ever forget what happened, and Reservation Blues makes damn sure of that.
The story opens with a folk legend that is taken for truth. Robert Johnson is standing at the crossroads in the Spokane Indian Reservation with a guitar and deep cuts on his hands. He doesn't want to play the guitar, he tells Thomas Builds-the-Fire, a member of the tribe who is the only one brave enough to speak to him, that he can never play again because The Gentleman will find him. Thomas offers to give him a lift but leaves him at the foot of the mountain when Robert Johnson requests to see Big Mom. The guitar is left in Thomas' car, and the guitar persuades Thomas to start a band with his three former/current bullies, Victor and Junior.
They soon become popular on the reservation and they play their first gig at a nearby reservation, the Flathead reservation. They meet Chess and Checkers Warm Waters, who eventually join the band. The guitar's magic helps them become semi-famous, playing off the reservation, and getting a call from a recording studio in NYC. However, like all Native American history, even though it starts to turn up, it eventually falls apart.
The story itself, a band trying to make it big, isn't unique. The characters, their personalities and their struggles are the embodiment of the same sort of stories found on reservations. Victor is a deadbeat, who mooches off his friend for most of the book, a drunk, and has deep seated anger and rage that has been boiling up in past lifetimes. He's mistrustful and mean, and uses sleeping with women as trophies. After the guitar talks Thomas into starting a band, the guitar finds itself to Victor, who becomes a powerful guitar player because of it.
Junior and Victor are best friends, though the reasons why are not clear until towards the end of the book. Junior drives a water truck and puts up with Victor's drinking (and partakes too) and crap. Junior embodies the Indian man that couldn't quite make it off the reservation but is almost functional on the reservation with his job and his friend. He flunks out of college, with reasons that are not revealed until 3/4 through the book.
Thomas Builds-the-Fire is the main character of the book, and the lead singer. He loves to tell stories. All the members of the reservation knows his stories and they are sick of them. He falls in love with Chess Warm Waters, who is a flathead Indian from the nearby reservation. He is not an alcoholic and is dependable, which are all traits that Chess desires in a boyfriend. Thomas dreams of making something for himself and since there are no opportunities on the reservation, they go off the reservation to see if their band could make it.
Chess and Checkers Warm Waters are sisters, who are plagued, like the other members of the band, by alcoholism and poverty. They fight fires in the summer, and hope that their money last them through the winter. Checkers Warm Waters falls in love with older men and later on, falls in love with Father Arnold, for better or for worse. Chess resents the white women who come onto the reservation, Veronica and Betty and whereas Victor uses them as trophies, Chess views them as women who take Indian men away from them.
Alexie uses prose wonderfully in this book, and the metaphor of Indian horses (and their mass murdering) is constantly referred back too throughout the novel. If I have to go back in the book to remind myself what "something" is (a person, an event, etc.), then the author didn't do their job of effectively making sure that I, the reader, didn't forget about it. The metaphor of the horses and Big Mom stuck with me and when Alexis throws a reminder of the screaming horses, I didn't forget. I knew exactly what he was talking about. The destruction of beautiful horses parallel the destruction of a people.
The sadness of the story is multifaceted but it's not overdone. He presents the reality of Native Americans through dreams, songs and stories, which seems to be the core of their cultures. It demonstrates the conflicts between characters and within themselves but the transition between all three within the larger context of the novel is seamless and it flows. What also flows within the novel is the reference of historical atrocities of Wounded Knee and other Indian wars. Alexie doesn't go into how these events drastically and systematically desimates Native American tribes, but the casual reference of them shows that they will always be apart of Native American history, but more importantly, Native American reality.
BAE has The Lone Ranger and Tonto Fistfight in Heaven and after I work through some of my book stack, I will revisit Sherman Alexie. He is a very talented writer with a viewpoint that should be shared with the world.
Sherman Alexie... this book, the history of Native Americans, for a lack of a better word, is just sad. Heartbreaking. But the kind of sadness that doesn't make a person cry, but seeps into the bones and lingers. The kind of sadness that couples with hopelessness and stays with you forever. From the atrocities that occurred with the Native Americans, no one should ever forget what happened, and Reservation Blues makes damn sure of that.
The story opens with a folk legend that is taken for truth. Robert Johnson is standing at the crossroads in the Spokane Indian Reservation with a guitar and deep cuts on his hands. He doesn't want to play the guitar, he tells Thomas Builds-the-Fire, a member of the tribe who is the only one brave enough to speak to him, that he can never play again because The Gentleman will find him. Thomas offers to give him a lift but leaves him at the foot of the mountain when Robert Johnson requests to see Big Mom. The guitar is left in Thomas' car, and the guitar persuades Thomas to start a band with his three former/current bullies, Victor and Junior.
They soon become popular on the reservation and they play their first gig at a nearby reservation, the Flathead reservation. They meet Chess and Checkers Warm Waters, who eventually join the band. The guitar's magic helps them become semi-famous, playing off the reservation, and getting a call from a recording studio in NYC. However, like all Native American history, even though it starts to turn up, it eventually falls apart.
The story itself, a band trying to make it big, isn't unique. The characters, their personalities and their struggles are the embodiment of the same sort of stories found on reservations. Victor is a deadbeat, who mooches off his friend for most of the book, a drunk, and has deep seated anger and rage that has been boiling up in past lifetimes. He's mistrustful and mean, and uses sleeping with women as trophies. After the guitar talks Thomas into starting a band, the guitar finds itself to Victor, who becomes a powerful guitar player because of it.
Junior and Victor are best friends, though the reasons why are not clear until towards the end of the book. Junior drives a water truck and puts up with Victor's drinking (and partakes too) and crap. Junior embodies the Indian man that couldn't quite make it off the reservation but is almost functional on the reservation with his job and his friend. He flunks out of college, with reasons that are not revealed until 3/4 through the book.
Thomas Builds-the-Fire is the main character of the book, and the lead singer. He loves to tell stories. All the members of the reservation knows his stories and they are sick of them. He falls in love with Chess Warm Waters, who is a flathead Indian from the nearby reservation. He is not an alcoholic and is dependable, which are all traits that Chess desires in a boyfriend. Thomas dreams of making something for himself and since there are no opportunities on the reservation, they go off the reservation to see if their band could make it.
Chess and Checkers Warm Waters are sisters, who are plagued, like the other members of the band, by alcoholism and poverty. They fight fires in the summer, and hope that their money last them through the winter. Checkers Warm Waters falls in love with older men and later on, falls in love with Father Arnold, for better or for worse. Chess resents the white women who come onto the reservation, Veronica and Betty and whereas Victor uses them as trophies, Chess views them as women who take Indian men away from them.
Alexie uses prose wonderfully in this book, and the metaphor of Indian horses (and their mass murdering) is constantly referred back too throughout the novel. If I have to go back in the book to remind myself what "something" is (a person, an event, etc.), then the author didn't do their job of effectively making sure that I, the reader, didn't forget about it. The metaphor of the horses and Big Mom stuck with me and when Alexis throws a reminder of the screaming horses, I didn't forget. I knew exactly what he was talking about. The destruction of beautiful horses parallel the destruction of a people.
The sadness of the story is multifaceted but it's not overdone. He presents the reality of Native Americans through dreams, songs and stories, which seems to be the core of their cultures. It demonstrates the conflicts between characters and within themselves but the transition between all three within the larger context of the novel is seamless and it flows. What also flows within the novel is the reference of historical atrocities of Wounded Knee and other Indian wars. Alexie doesn't go into how these events drastically and systematically desimates Native American tribes, but the casual reference of them shows that they will always be apart of Native American history, but more importantly, Native American reality.
BAE has The Lone Ranger and Tonto Fistfight in Heaven and after I work through some of my book stack, I will revisit Sherman Alexie. He is a very talented writer with a viewpoint that should be shared with the world.
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