Which is Better? AKA Jessica Jones and Alias

Wait, AKA Jessica Jones was based off this comic book? Did the script writers read the comic book, toss it to the side and thought, 'no, we can do better?' Or they thought, 'hey, let's take the most uninteresting things about the comic book, toss the rest aside that makes it great, and put other characters in because, well, we're sooo creative and naturally, what we come up with is far more riveting than Alias?' Because that's what the show felt like.

AKA Jessica Jones has been critically acclaimed and raved about, but honestly? I thought it was just OK. Not the worst thing I've ever watched (I'm looking at you Chappie. You abomination.) Now that I've read the beginning of Alias, I've realized that the tone and the mood doesn't transfer over into the show. There are also quite a few terrible things they added, like Ruben and... what was her name? Rylie? Rudder? Rumplestiltskin? and Malcolm, who, let's be honest, had the most thankless character arc ever. Not to mention they rewrote the entire story to where it's almost unrecognizable. There are bits and pieces of the show that I appreciated, and recognised what they were trying to accomplish, but it fell flat. Especially standing next to the comic book.

Even Jessica Jones' hair is different! Which, ok, it's not a big deal. I mean, hair is hair, but did they keep the black hair because it's Krysten Ritter? It would have been interesting to see her have a hair change, but maybe she's butt ugly with red hair... who knows? But it felt to me that black hair was to on the nose with how "dark" the show was.

What I also noticed most about the show was how... cheap it looked. Now, I don't mind low budget movies, and honestly, sometimes creativity can be a wonderful thing that actually adds to it. However, when you notice that even the makeup looks awful in certain lighting (really... there was a defining line between her makeup and her neck, not to mention her skin looked yellow), and your husband points out that the high profile lawyer's office is incredibly bare, and not in a minimalist way, but in a oh-shit-we-have-no-money way, it's a problem. I don't set out to watch a movie to look for makeup flaws and bare settings but it smacked us in the face. It was so low budget that it couldn't even be covered up.

Now, Josh and I have different theories on why it looked so low budget and I think it's a mixture of both of them. I think some of it was intentional, or tried to be. In the comic book, at least in the first volume, she's mostly on the streets, investigating. She's just in tee-shirts and jeans, and only twice does she demonstrate her super powers. It seems like they tried to carry that over to the show. I also think they spent a lot of their money getting Carey Ann Moss, David Tennant, Krysten Ritter and Mike Colter on the show. Josh thinks that most of the budget for the Marvel TV shows were blown with Daredevil, which had a lot of really remarkable shots and stunts and they none left over to shoot Jessica Jones. Man, I hope they are able to film the Luke Cage one (which btw, was one of the best parts about the show).

So, verdict? I haven't read all the comics, so I would have to update as I read them. However, it's a shame that AKA Jessica Jones didn't use much of the story line with Alias, because it would have been neat to see, even if it was just the Rick Jones, sidekick stuff. So far? Read Alias... and I guess see the show if you want to know what everyone else is talking about and you want in on the convo...  but you didn't miss much.

Marvel Mondays: Jessica Jones: Alias 1

To be honest, I was a bit nervous reading the comic book. I saw the show, and I wondered if the book would directly reflect the netflix show (to varying degrees of success). My husband told me that it was a dark comic book series, and he wasn't sure if I would like it or not. However, BAE still bought it for me for Christmas for my blog! Thanks bae! 

I actually really enjoyed it. It was gritty, but I liked the idea of Jessica Jones on the peripheral, abandoning her cape and seeking to try and carve out a normal life. Sure, she's a private investigator, which has her associating with the dredge of society, but it seems like she can hold her own. Her powers are not really played up here, with the exception of her holding her own in a fight (and removing a man's arm from her collar, full strength). There are characters in the comic that are desperate to associate with anyone who has powers, and Jessica falls victim to this several times during the course of the story. 

There are lots of appearances of other, very well known characters in the comics, such as Dare Devil, Captain America and Powerman. I would have liked to see more of their relationship, but I have a feeling there is going to be more of that later on. The story line is political,  with a lot of foreshadowing. It's done very well and it leaves you with the same confusion Jessica feels, but doesn't leave you frustrated that you have no idea what is going on. 

Comic book illustrations and artwork doesn't get a lot of credit, I feel and sometimes, even comic book illustrators don't use their entire toolbox to convey the story at hand or they are refrained from doing so. Gaydos does and his illustrations take on a 90s grunge theme. It's perfect for the atmosphere of the story at hand. He doesn't waste colors either, and reverses light versus dark theme. He uses brighter colors during scenes where she is reflecting on her past as a masked superhero, a time in her life that she would prefer to bury deep, but everyone else glorifies it, wondering why she decided to stop. Gaydos uses darker colors when she is wading through her crisis and detective work, something that she enjoys doing, but everyone else puts down, especially since they deem her worthy of doing more, like becoming a superhero. 

I also love how it's mapped out, and the panels are easy to follow in Alias. My favorite part is when she listens to clients, and artistically, the scene should be very boring. They are sitting at a desk and the client is talking, while Jessica listens. However, the panels go back and forth, depicting the client talking, and Jessica smoking a cigarette, listening but unmoving. Nevertheless, Gaydos conveys that she's on her guard, studying the person, thinking about whether to take the case, or whether it's all bullshit. 

I can't wait to read the rest of the series! 

The All-Different, All-New Avengers # 1 by Waid, Kurbert and Omack

The Avengers are incredibly famous now since the movies. I was wondering what they were going to do with them since they are rebooting all of their new number 1's. I was pleasantly surprised with the familiar superheros they kept and then added a few new ones to the mix.

It opens up to Sam Wilson saving someone, and no matter what he does, cannot catch a break. Tony Stark arrives and provides a needed distraction while they separate from the masses who want Captain America to buy some girl scout cookies.

Tony Stark is poor now? I'm not sure what the deal was, but he sold Stark tower to... someone that looks evil, who discovered Warbringer hiding in one of the boxes they were moving. He technically teleported, but hiding sounds funnier. Spider-man (Oh, Spider-man), was eyesdropping, but since I know that he pays Hobie Brown to be his stand in, I wonder if it's him? Anyway, he's caught by the random evil guy and Warbringer, and tosses him out the window. Tony's car is turned into an Iron-man, and Captain America save Spider-man and help save the day.

The comic then cuts to a girl who is in the midst of an argument with her teenage friends. A side note here, I love the awareness of diversity in the new comic books. It's such a simple thing to have a friend who wears a hijab in a comic book, but with all the anti-muslim rhetoric, anything that can be used to show that muslims are people too is beneficial.

Anyway, Ms. Marvel is a teenage girl who witnesses a large beast in her neighborhood and Nova battling it. She goes and change, and of course, Nova is smitten at first by the citizen, then by the changing Ms. Marvel. I don't know a lot about her, but I already think she's rad. The pair of them bicker as they take down the beast, and Nova reveals who he is in desperate attempt to get her to like him.

It does not go over well.

There are 2 more characters that haven't been introduced that will be introduced next issue: Thor and The Vision. We knew The Vision from the movie, but we'll see how they interpret him. I'm interested in reading his comic, The Visions. Finally, they changed the gender of Thor. I'm not sure how or why, but I think there is also another all knew comic about the change.

I'm excited to read the second issue of the The Avengers with the spin on it.

Also, side note, I'm excited that the new Hulk is Asian. That's pretty cool, right?

Marvel Mondays: The Amazing Spider-Man #1

This idea was given to me by my husband, who does a sketch comedy show in Baltimore parodying his beloved comic books. I have reviewed some comic books before (mostly She-Hulk) but since they are coming out with new number 1s of all the issues, why not review them? He also buys them, so it's mostly him spending the money for me to read.

I randomly picked out the Amazing Spider-Man #1. There are so many movies about this character that it's hard to not know who Peter Parker is by this point. He's a high school kid who's down on his luck, lives in the poorer part of New York and has unspeakable tragedy. He has a tough time with girls but despite of that, he's a witty, snarky guy. My husband and I have had many conversations about Spider-Man and how there is a comic about Miles Morales, which would be a better match for Spider-Man. What frustrates us the most is that there isn't really much diversity in comic books. Don't get me wrong, they are trying and doing a better job of expanding diversity when it comes to some reboot of some characters, but... well, they failed when it came to the reboot of Spider-Man.

Peter Parker is a new age industrialist with branches all over the world. The series opens with Spider-Man and Agent Morse, or Mockingbird, fighting a few bad guys from the Zodiac. Spider-Man is snarky, like he usually is, but... there is something off about Peter Parker. It goes flashbacks to him learning how to drive and learning Chinese at the same time. There is some important bits about S.H.I.E.L.D, but I don't really notice because I'm perplexed to why I dislike Peter Parker so much. Finally, the chase scene ends with them capturing this dude with a lion mask on, who works for Zodiac, who is important... but for the life of me I can't remember why. All I'm concentrating on is why Peter Parker is like Tony Stark, with his gadgets and technological know how. I mean, wasn't he a photographer?

The next scene shows Peter Parker in a suit, discussing the future of his company, and the start of the Uncle Ben foundation. I guess he's using Parker Industries to help the world? Fair wages and raising the quality of life for every person that he employs in the countries his company resides in? Then Slott and company really hit the nail on the head with a reporter calling Peter Parker a "poor man's Tony Stark." Peter leans heavily into it, by patting himself on the back and stating that he's wages are that of middle management and that he couldn't feasibly give himself a pay raise above his junior executives.

...what?

Look, I get what Slott and company were trying to do. In a way, I appreciate it. It's providing commentary for greedy CEOs and Wall Street and the 1%. However... why Peter Parker? Why Spiderman? I feel like they were going to do this with Tony Stark, and at the last minute, decided to go with Spiderman. I'm not very well versed with super hero legend, or the continuity of Marvel.... but it just doesn't fit. There is already a few heroes in Marvel that own their own companies and do what Parker is trying to do (or unabashingly doesn't do it) but Parker doesn't feel like one that needs to do something like that. Isn't the appeal of Spider-Man is that he's a regular Joe that just happens to have superpowers? Wasn't that the reason those movies were so popular and one of the first that Marvel put out, because he was so relatable?

There is a smart bit of Hobie Brown also being Spider-Man to keep Peter Parker's cover intact. However, I don't know Hobie Brown from Adam, and it sort of falls flat. Oh, and there is a gay wedding thrown in there, which I also don't know from Adam. I see that Hubbie also bought the second issue of Amazing Spider-Man, so I hope it really picks up. But the verdict? Peter Parker is another rich white dude who's trying to use his money for good, which isn't a bad thing, but this trope would look better on Tony Stark.